
26 Parameters
Damp knob, and controlling the absorption of the impact between the string and the hammer by
the hammer. Note that this parameter is not related to the decay time of the string oscillation or the
overall sound. On the contrary, the effect of this parameter may sometimes seem counter-intuitive
even if it reproduces a physical property of the hammer. For example, increasing the damping of
the hammer will make the compression of the spring linking the head to the mass harder and which
will shorten the interaction between the hammer and the string but will also make it appear stronger
resulting in a louder or longer sound.
Damping
Mass
Stiffness
String
Velocity
Damping
Velocity
Mass
Stiffness
String
Hammer 1 Hammer 2
Figure 10: The two Hammer modes
Bow
The Bow exciter is used to play bowed instruments such as the violin, viola, or cello. The role of
the bow is to set the string in self-sustained oscillation. Physically, oscillations of the string are
maintained by a regular cycle of stick-slip movements. Due to friction forces between the string
and the bow, the string sticks to the bow and follows its motion until the tension forces in the string,
due to its own oscillating motion, break it free from the bow. The string is then in its slip phase and
moves in the opposite direction to that of the bow. When the string motion changes direction once
more, it sticks to the bow again, moving with the bow until it breaks free and repeats the cycle.
Note that the frequency of this stick-slip motion is exactly the same as that of the string oscillation;
or, in other words, the pitch of the note played.
The force with which the bow is applied on the string can be adjusted with the Force knob, the
friction between the bow and the string is set with the Friction knob, and the velocity of the bow
is controlled with the Velocity knob. Note that the damp knob is inactive when the bow exciter is
selected. The tone and behavior of the instrument are the results of a complex relationship between
these parameters but some general rules can however be followed. As the force applied by the bow
on the string is increased, the tone becomes more scrubby. The friction between the bow and the
string usually determines the length of the attack; the greater the friction, the faster the string can
be set into motion. Finally, the velocity is related to the amplitude of the sound.
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